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Hymns Of The Marshes Part 2 by Sidney Lanier

 

Thy lightning slew a child at play,
And then a priest with prayers upon his lips

For his enemies, and then a bright
Lady that did but ope the door
Upon the storming night
To let a beggar in, -- strange spite, --
And then thy sulky rain refused to pour

Till thy quick torch a barn had burned
Where twelve months' store of victual lay,
A widow's sons had earned;

Which done, thy floods with winds returned, --
The river raped their little herd away.

What myriad righteous errands high
Thy flames MIGHT run on! In that hour
Thou slewest the child, oh why
Not rather slay Calamity,
Breeder of Pain and Doubt, infernal Power?

Or why not plunge thy blades about
Some maggot politician throng
Swarming to parcel out
The body of a land, and rout
The maw-conventicle, and ungorge Wrong?

What the cloud doeth
The Lord knoweth,
The cloud knoweth not.
What the artist doeth,
The Lord knoweth;
Knoweth the artist not?

Well-answered! -- O dear artists, ye
-- Whether in forms of curve or hue
Or tone your gospels be --
Say wrong `This work is not of me,
But God:' it is not true, it is not true.

Awful is Art because 'tis free.
The artist trembles o'er his plan
Where men his Self must see.
Who made a song or picture, he
Did it, and not another, God nor man.

My Lord is large, my Lord is strong:
Giving, He gave: my me is mine.
How poor, how strange, how wrong,
To dream He wrote the little song
I made to Him with love's unforced design!

Oh, not as clouds dim laws have plann'd
To strike down Good and fight for Ill, --
Oh, not as harps that stand
In the wind and sound the wind's command:
Each artist -- gift of terror! -- owns his will.

For thee, Cloud, -- if thou spend thine all
Upon the South's o'er-brimming sea
That needs thee not; or crawl
To the dry provinces, and fall
Till every convert clod shall give to thee

Green worship; if thou grow or fade,
Bring on delight or misery,
Fly east or west, be made
Snow, hail, rain, wind, grass, rose, light, shade;
What matters it to thee? There is no thee.

Pass, kinsman Cloud, now fair and mild:
Discharge the will that's not thine own.
I work in freedom wild,
But work, as plays a little child,
Sure of the Father, Self, and Love, alone.

____
Baltimore, 1878-9.



III. Marsh Song -- At Sunset.


Over the monstrous shambling sea,
Over the Caliban sea,
Bright Ariel-cloud, thou lingerest:
Oh wait, oh wait, in the warm red West, --
Thy Prospero I'll be.

Over the humped and fishy sea,
Over the Caliban sea
O cloud in the West, like a thought in the heart
Of pardon, loose thy wing, and start,
And do a grace for me.

Over the huge and huddling sea,
Over the Caliban sea,
Bring hither my brother Antonio, -- Man, --
My injurer: night breaks the ban;
Brother, I pardon thee.

____
Baltimore, 1879-80.



IV. The Marshes of Glynn.


Glooms of the live-oaks, beautiful-braided and woven
With intricate shades of the vines that myriad-cloven
Clamber the forks of the multiform boughs, --
Emerald twilights, --
Virginal shy lights,
Wrought of the leaves to allure to the whisper of vows,
When lovers pace timidly down through the green colonnades
Of the dim sweet woods, of the dear dark woods,
Of the heavenly woods and glades,
That run to the radiant marginal sand-beach within
The wide sea-marshes of Glynn; --

Beautiful glooms, soft dusks in the noon-day fire, --
Wildwood privacies, closets of lone desire,
Chamber from chamber parted with wavering arras of leaves, --
Cells for the passionate pleasure of prayer to the soul that grieves,
Pure with a sense of the passing of saints through the wood,
Cool for the dutiful weighing of ill with good; --

O braided dusks of the oak and woven shades of the vine,
While the riotous noon-day sun of the June-day long did shine
Ye held me fast in your heart and I held you fast in mine;
But now when the noon is no more, and riot is rest,
And the sun is a-wait at the ponderous gate of the West,
And the slant yellow beam down the wood-aisle doth seem
Like a lane into heaven that leads from a dream, --
Ay, now, when my soul all day hath drunken the soul of the oak,
And my heart is at ease from men, and the wearisome sound of the stroke
Of the scythe of time and the trowel of trade is low,
And belief overmasters doubt, and I know that I know,
And my spirit is grown to a lordly great compass within,
That the length and the breadth and the sweep of the marshes of Glynn
Will work me no fear like the fear they have wrought me of yore
When length was fatigue, and when breadth was but bitterness sore,
And when terror and shrinking and dreary unnamable pain
Drew over me out of the merciless miles of the plain, --

Oh, now, unafraid, I am fain to face
The vast sweet visage of space.
To the edge of the wood I am drawn, I am drawn,
Where the gray beach glimmering runs, as a belt of the dawn,
For a mete and a mark
To the forest-dark: --
So:
Affable live-oak, leaning low, --
Thus -- with your favor -- soft, with a reverent hand,
(Not lightly touching your person, Lord of the land!)
Bending your beauty aside, with a step I stand
On the firm-packed sand,
Free
By a world of marsh that borders a world of sea.

Sinuous southward and sinuous northward the shimmering band
Of the sand-beach fastens the fringe of the marsh to the folds of the land.
Inward and outward to northward and southward the beach-lines linger and curl
As a silver-wrought garment that clings to and follows
the firm sweet limbs of a girl.
Vanishing, swerving, evermore curving again into sight,
Softly the sand-beach wavers away to a dim gray looping of light.
And what if behind me to westward the wall of the woods stands high?
The world lies east: how ample, the marsh and the sea and the sky!
A league and a league of marsh-grass, waist-high, broad in the blade,
Green, and all of a height, and unflecked with a light or a shade,
Stretch leisurely off, in a pleasant plain,
To the terminal blue of the main.

Oh, what is abroad in the marsh and the terminal sea?
Somehow my soul seems suddenly free
From the weighing of fate and the sad discussion of sin,
By the length and the breadth and the sweep of the marshes of Glynn.

Ye marshes, how candid and simple and nothing-withholding and free
Ye publish yourselves to the sky and offer yourselves to the sea!
Tolerant plains, that suffer the sea and the rains and the sun,
Ye spread and span like the catholic man who hath mightily won
God out of knowledge and good out of infinite pain
And sight out of blindness and purity out of a stain.

As the marsh-hen secretly builds on the watery sod,
Behold I will build me a nest on the greatness of God:
I will fly in the greatness of God as the marsh-hen flies
In the freedom that fills all the space 'twixt the marsh and the skies:
By so many roots as the marsh-grass sends in the sod
I will heartily lay me a-hold on the greatness of God:
Oh, like to the greatness of God is the greatness within
The range of the marshes, the liberal marshes of Glynn.

And the sea lends large, as the marsh: lo, out of his plenty the sea
Pours fast: full soon the time of the flood-tide must be:
Look how the grace of the sea doth go
About and about through the intricate channels that flow
Here and there,
Everywhere,
Till his waters have flooded the uttermost creeks and the low-lying lanes,
And the marsh is meshed with a million veins,
That like as with rosy and silvery essences flow
In the rose-and-silver evening glow.
Farewell, my lord Sun!
The creeks overflow: a thousand rivulets run
'Twixt the roots of the sod; the blades of the marsh-grass stir;
Passeth a hurrying sound of wings that westward whirr;
Passeth, and all is still; and the currents cease to run;
And the sea and the marsh are one.

How still the plains of the waters be!
The tide is in his ecstasy.
The tide is at his highest height:
And it is night.

And now from the Vast of the Lord will the waters of sleep
Roll in on the souls of men,
But who will reveal to our waking ken
The forms that swim and the shapes that creep
Under the waters of sleep?
And I would I could know what swimmeth below when the tide comes in
On the length and the breadth of the marvellous marshes of Glynn.

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